Thursday, June 10, 2010

Very damned interesting, indeed!

complete link at the end of message


The End of Men

Earlier this year, women became the majority of the workforce for the first time in U.S. history. Most managers are now women too. And for every two men who get a college degree this year, three women will do the same. For years, women's progress has been cast as a struggle for equality. But what if equality isn't the end point? What if modern, postindustrial society is simply better suited to women? A report on the unprecedented role reversal now under way— and its vast cultural consequences
By Hanna Rosin

In the 1970s the biologist Ronald Ericsson came up with a way to separate sperm carrying the male-producing Y chromosome from those carrying the X. He sent the two kinds of sperm swimming down a glass tube through ever-thicker albumin barriers. The sperm with the X chromosome had a larger head and a longer tail, and so, he figured, they would get bogged down in the viscous liquid. The sperm with the Y chromosome were leaner and faster and could swim down to the bottom of the tube more efficiently. Ericsson had grown up on a ranch in South Dakota, where he'd developed an Old West, cowboy swagger. The process, he said, was like "cutting out cattle at the gate." The cattle left flailing behind the gate were of course the X's, which seemed to please him. He would sometimes demonstrate the process using cartilage from a bull's penis as a pointer.
In the late 1970s, Ericsson leased the method to clinics around the U.S., calling it the first scientifically proven method for choosing the sex of a child. Instead of a lab coat, he wore cowboy boots and a cowboy hat, and doled out his version of cowboy poetry. (People magazine once suggested a TV miniseries based on his life called Cowboy in the Lab.) The right prescription for life, he would say, was "breakfast at five-thirty, on the saddle by six, no room for Mr. Limp Wrist." In 1979, he loaned out his ranch as the backdrop for the iconic "Marlboro Country" ads because he believed in the campaign's central image—"a guy riding on his horse along the river, no bureaucrats, no lawyers," he recalled when I spoke to him this spring. "He's the boss." (The photographers took some 6,500 pictures, a pictorial record of the frontier that Ericsson still takes great pride in.)
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Her whole article seems to be available here: http://www.theatlantic.com/magazine/archive/2010/07/the-end-of-men/8135  It gets better and better but I didn't want to copy and paste the whole thing.  Too good.  It is the July issue of The Atlantic Monthly.
Bill



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